The Arab Avant-Garde: Music, Politics, Modernity
(eBook)

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Published
Wesleyan University Press, 2013.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780819573872

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APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2013). The Arab Avant-Garde: Music, Politics, Modernity . Wesleyan University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2013. The Arab Avant-Garde: Music, Politics, Modernity. Wesleyan University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. The Arab Avant-Garde: Music, Politics, Modernity Wesleyan University Press, 2013.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. The Arab Avant-Garde: Music, Politics, Modernity Wesleyan University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa1c293ee-d774-9ecf-c2f0-53c2abdd99c8-eng
Full titlearab avant garde music politics modernity
Authorauthors various
Grouping Categorybook
Last Update2023-12-08 20:05:18PM
Last Indexed2024-05-03 05:50:13AM

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First LoadedAug 26, 2023
Last UsedAug 26, 2023

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    [synopsis] => The first in-depth study of diverse and radical innovation in Arab music
From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of "innovation" within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the "avant-garde"-a term with Eurocentric resonances-this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities.
Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the "Arab avant-garde" becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings-practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors.
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