Red brick, Black Mountain, white clay : reflections on art, family, and survival
(Book)
Published
New York : Penguin Press, 2012.
Format
Book
Status
Fletcher Free Library - 3rd Floor - Adult Non-Fiction
701.03 BEN 2012
1 available
701.03 BEN 2012
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
Fletcher Free Library - 3rd Floor - Adult Non-Fiction | 701.03 BEN 2012 | On Shelf |
Subjects
LC Subjects
Bisac Subjects
More Details
Published
New York : Penguin Press, 2012.
Physical Desc
291 pages : ill. ; 25 cm.
Language
English
Notes
Bibliography
Includes bibliographical references and index.
Bibliography
Includes bibliographical references and index.
Description
" An incandescent journey to unearth the beginnings of American art. An unforgettable voyage across the reaches of America and the depths of memory, Red Brick, Black Mountain, White Clay tells the story of America's artistic birth. Following his family back through the generations, renowned critic Christopher Benfey unearths an ancestry- and an aesthetic-that is quintessentially American. His mother descends from colonial craftsmen, such as the Quaker artist- explorer William Bartram. Benfey's father-along with his aunt and uncle, the famed Bauhaus artists Josef and Anni Albers-escaped from Nazi Europe by fleeing to the American South. Struggling to find themselves in this new world, Benfey's family found strength and salvation in the rich craft tradition grounded in America's vast natural landscape. Bricks form the backbone of life in the rural Piedmont of North Carolina, where Benfey's mother was raised among centuries-old folk potteries, tobacco farms, and clay pits. Her father, like his father before him, believed in the deep honesty of brick, that men might build good lives with the bricks they laid. Nurtured in this red-clay world of ancient craft and Quaker radicalism, Benfey's mother was poised to set out from home when a tragic romance cracked her young life in two. Salvaging the broken shards of his mother's former life and exploring the revitalized folk arts resisting industrialization, Benfey discovers a world brimming with possibility and creativity. Benfey's father had no such foundation in his young life, nor did his aunt and uncle. Exiled artists from Berlin's Bauhaus school, Josef and Anni Albers were offered sanctuary not far from the red Piedmont at Black Mountain College. A radical experiment in unifying education and art, Black Mountain made a monumental impact on American culture under Josef's leadership, counting Robert Rauschenberg, John Cage, and Buckminster Fuller among its influential students and teachers. Focusing on the natural world, innovative craftsmanship, and the physical reality of materials, Black Mountain became a home and symbol for an emerging vision of American art. Threading these stories together into a radiant and mesmerizing harmony, Red Brick, Black Mountain, White Clay is an extraordinary quest to the heart of America and the origins of its art. "--Provided by publisher.
Description
"An unforgettable voyage across the reaches and the depths of memory, Red Brick, Black Mountain, White Clay tells the story of America's artistic birth. Following his family back through the generations, renowned critic Christopher Benfey unearths an ancestry--and an aesthetic--that is quintessentially American. His mother descends from colonial craftsmen, such as the Quaker artist-explorer William Bartram. Benfey's father--along with his aunt and uncle, the famed Bauhaus artists Josef and Anni Albers--escaped from Nazi Europe by fleeing to the American South. Struggling to find themselves in this new world, Benfey's family found strength and salvation in the rich craft tradition grounded in America's vast natural landscape. Threading these stories together into a radiant and mesmerizing harmony, Red Brick, Black Mountain, White Clay is an extraordinary quest to the heart of America and the origins of its art"--Provided by publisher.
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Citations
APA Citation, 7th Edition (style guide)
Benfey, C. E. G. (2012). Red brick, Black Mountain, white clay: reflections on art, family, and survival . Penguin Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Benfey, Christopher E. G., 1954-. 2012. Red Brick, Black Mountain, White Clay: Reflections On Art, Family, and Survival. New York: Penguin Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Benfey, Christopher E. G., 1954-. Red Brick, Black Mountain, White Clay: Reflections On Art, Family, and Survival New York: Penguin Press, 2012.
Harvard Citation (style guide)Benfey, C. E. G. (2012). Red brick, black mountain, white clay: reflections on art, family, and survival. New York: Penguin Press.
MLA Citation, 9th Edition (style guide)Benfey, Christopher E. G. Red Brick, Black Mountain, White Clay: Reflections On Art, Family, and Survival Penguin Press, 2012.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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